Press

2021
S. Faoro, Dora Budor “Autoreduction” at Progetto, Mousse Magazine, September 2021 (online)
F. Tenaglia, California Scheming: Noah Barker at Löwengasse, Art In America, October 18th, 2021 (online)

2017
C. Kron, Critic’s Picks: A Few Open Systems, Artforum.com, June 2017 (online)
S. Knezic, The Okayama Art Summit: A New Triennale for Japan, Broadsheet, Vol 46 No 1, March 2017 (print)

2016
M. Beasley, Projecting an Island From Another: Noah Barker, Mousse Magazine n. 54 Summer 2016 (print)

2015
D. Dupuis, International Currency, Lodos / Mexico City, Flash Art, July 24, 2015 (online)
J. Wick, “Economies of Resignation,” Bad at Sports, June 19, 2015 (online)

Texts

2022
Holy Cows and a Natural Manager, Mousse Magazine, March 2022 (online)
Temptation to Wit, Texte zur Kunst, February 2022 (print)

2021
Spooks and Shadows, In Medias Res #1: Histories Read Across, 2021 (print)

2020
Tears of a Foreman, Mousse Magazine n. 70, Summer 2020 (print)
Park McArthur at the MoMA, May Revue n. 20, Spring 2020 (print)

2019
Dispatch from a collapsed refexive framework, Schreibtischuhr, edited by Liam Gillick, Meyer Kainer, 2019 (print)

2018
with W. Niehaus, All His Children, Tube #4, 2018
Cancellations: Ghislaine Leung, Mousse Magazine n. 64, Summer 2018 (print)

2017
Studio for Propositional Cinema at Swiss Institute, Mousse Magazine, 2017 (online)