Who knows what the ostrich sees in the sand
Patricia L. Boyd, Joseph Grigely, Hanne Lippard, Lorenza Longhi, Matteo Pomati
Fanta-MLN
Exhibitions views
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Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi1 of 17 -
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
In front: Lorenza Longhi
Untitled, 2019
Steel, honycomb cardboard, adhesive tape
75 x 225 x 35 cm
Courtesy the artist and Fanta-MLN, Milan
Photo: Roberto Marossi2 of 17 -
Joseph Grigely
Untitled Conversations (Fishing Conversations), 2008
Typed text framed, 10 manuscripts sheets, pins
35,5 x 67 cm
Courtesy the artist and Air de Paris, Paris
Photo: Roberto Marossi3 of 17 -
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi4 of 17 -
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi5 of 17 -
Hanne Lippard
Blunt, 2018
Single-channel digital audio
8’ 19’’ loop
Courtesy the artist and LambdaLambdaLambda, Prishtina
Photo: Roberto Marossi6 of 17 -
Patricia L. Boyd
SL-1200MK2 Face, 2019
Used restaurant grease, wax, damar resin
31 x 22,3 cm
Courtesy the artist
Photo: Roberto Marossi7 of 17 -
Patricia L. Boyd
SL-1200MK2 Face, 2019 (Detail)
Used restaurant grease, wax, damar resin
31 x 22,3 cm
Courtesy the artist
Photo: Roberto Marossi8 of 17 -
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi9 of 17 -
Matteo Pomati
Micro fridge coffee, 2017
Enamel and acrilyc spray paint on wood and plaster
136 x 200 x 8 cm
Courtesy the artist
Photo: Roberto Marossi10 of 17 -
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi11 of 17 -
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi12 of 17 -
Lorenza Longhi
Untitled (Panoramic Vision II), 2019
Silk-screen on fabric mounted on wood panel, aluminium, screws
24 x 39,5 cm
Courtesy the artist and Fanta-MLN, Milan
Photo: Roberto Marossi13 of 17 -
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi14 of 17 -
Patricia L. Boyd
SL-1200MK2 Insulator Feet (Secession, 06/29/18-09/02/18), 2018-2019
Used restaurant grease, wax, damar
resin, plywood, particle board
21 x 25 x 9 cm; 23,7 x 25 x 9 cm (Diptych)
Courtesy the artist
Photo: Roberto Marossi15 of 17 -
Hanne Lippard
Vent, 2018 (Detail)
Vynil wall-text
Dimensions variable
Courtesy the artist and LambdaLambdaLambda, Prishtina
Photo: Roberto Marossi16 of 17 -
Hanne Lippard
Vent, 2018 (Detail)
Vynil wall-text
Dimensions variable
Courtesy the artist and LambdaLambdaLambda, Prishtina
Photo: Roberto Marossi17 of 17
Press kit
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Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi1 of 17 -
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
In front: Lorenza Longhi
Untitled, 2019
Steel, honycomb cardboard, adhesive tape
75 x 225 x 35 cm
Courtesy the artist and Fanta-MLN, Milan
Photo: Roberto Marossi2 of 17 -
Joseph Grigely
Untitled Conversations (Fishing Conversations), 2008
Typed text framed, 10 manuscripts sheets, pins
35,5 x 67 cm
Courtesy the artist and Air de Paris, Paris
Photo: Roberto Marossi3 of 17 -
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi4 of 17 -
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi5 of 17 -
Hanne Lippard
Blunt, 2018
Single-channel digital audio
8’ 19’’ loop
Courtesy the artist and LambdaLambdaLambda, Prishtina
Photo: Roberto Marossi6 of 17 -
Patricia L. Boyd
SL-1200MK2 Face, 2019
Used restaurant grease, wax, damar resin
31 x 22,3 cm
Courtesy the artist
Photo: Roberto Marossi7 of 17 -
Patricia L. Boyd
SL-1200MK2 Face, 2019 (Detail)
Used restaurant grease, wax, damar resin
31 x 22,3 cm
Courtesy the artist
Photo: Roberto Marossi8 of 17 -
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi9 of 17 -
Matteo Pomati
Micro fridge coffee, 2017
Enamel and acrilyc spray paint on wood and plaster
136 x 200 x 8 cm
Courtesy the artist
Photo: Roberto Marossi10 of 17 -
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi11 of 17 -
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi12 of 17 -
Lorenza Longhi
Untitled (Panoramic Vision II), 2019
Silk-screen on fabric mounted on wood panel, aluminium, screws
24 x 39,5 cm
Courtesy the artist and Fanta-MLN, Milan
Photo: Roberto Marossi13 of 17 -
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi14 of 17 -
Patricia L. Boyd
SL-1200MK2 Insulator Feet (Secession, 06/29/18-09/02/18), 2018-2019
Used restaurant grease, wax, damar
resin, plywood, particle board
21 x 25 x 9 cm; 23,7 x 25 x 9 cm (Diptych)
Courtesy the artist
Photo: Roberto Marossi15 of 17 -
Hanne Lippard
Vent, 2018 (Detail)
Vynil wall-text
Dimensions variable
Courtesy the artist and LambdaLambdaLambda, Prishtina
Photo: Roberto Marossi16 of 17 -
Hanne Lippard
Vent, 2018 (Detail)
Vynil wall-text
Dimensions variable
Courtesy the artist and LambdaLambdaLambda, Prishtina
Photo: Roberto Marossi17 of 17