Who knows what the ostrich sees in the sand
Patricia L. Boyd, Joseph Grigely, Hanne Lippard, Lorenza Longhi, Matteo Pomati
Patricia L. Boyd, Joseph Grigely, Hanne Lippard, Lorenza Longhi, Matteo Pomati
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
In front: Lorenza Longhi
Untitled, 2019
Steel, honycomb cardboard, adhesive tape
75 x 225 x 35 cm
Courtesy the artist and Fanta-MLN, Milan
Photo: Roberto Marossi
Joseph Grigely
Untitled Conversations (Fishing Conversations), 2008
Typed text framed, 10 manuscripts sheets, pins
35,5 x 67 cm
Courtesy the artist and Air de Paris, Paris
Photo: Roberto Marossi
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Hanne Lippard
Blunt, 2018
Single-channel digital audio
8’ 19’’ loop
Courtesy the artist and LambdaLambdaLambda, Prishtina
Photo: Roberto Marossi
Patricia L. Boyd
SL-1200MK2 Face, 2019
Used restaurant grease, wax, damar resin
31 x 22,3 cm
Courtesy the artist
Photo: Roberto Marossi
Patricia L. Boyd
SL-1200MK2 Face, 2019 (Detail)
Used restaurant grease, wax, damar resin
31 x 22,3 cm
Courtesy the artist
Photo: Roberto Marossi
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Matteo Pomati
Micro fridge coffee, 2017
Enamel and acrilyc spray paint on wood and plaster
136 x 200 x 8 cm
Courtesy the artist
Photo: Roberto Marossi
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Lorenza Longhi
Untitled (Panoramic Vision II), 2019
Silk-screen on fabric mounted on wood panel, aluminium, screws
24 x 39,5 cm
Courtesy the artist and Fanta-MLN, Milan
Photo: Roberto Marossi
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Patricia L. Boyd
SL-1200MK2 Insulator Feet (Secession, 06/29/18-09/02/18), 2018-2019
Used restaurant grease, wax, damar
resin, plywood, particle board
21 x 25 x 9 cm; 23,7 x 25 x 9 cm (Diptych)
Courtesy the artist
Photo: Roberto Marossi
Hanne Lippard
Vent, 2018 (Detail)
Vynil wall-text
Dimensions variable
Courtesy the artist and LambdaLambdaLambda, Prishtina
Photo: Roberto Marossi
Hanne Lippard
Vent, 2018 (Detail)
Vynil wall-text
Dimensions variable
Courtesy the artist and LambdaLambdaLambda, Prishtina
Photo: Roberto Marossi
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
In front: Lorenza Longhi
Untitled, 2019
Steel, honycomb cardboard, adhesive tape
75 x 225 x 35 cm
Courtesy the artist and Fanta-MLN, Milan
Photo: Roberto Marossi
Joseph Grigely
Untitled Conversations (Fishing Conversations), 2008
Typed text framed, 10 manuscripts sheets, pins
35,5 x 67 cm
Courtesy the artist and Air de Paris, Paris
Photo: Roberto Marossi
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Hanne Lippard
Blunt, 2018
Single-channel digital audio
8’ 19’’ loop
Courtesy the artist and LambdaLambdaLambda, Prishtina
Photo: Roberto Marossi
Patricia L. Boyd
SL-1200MK2 Face, 2019
Used restaurant grease, wax, damar resin
31 x 22,3 cm
Courtesy the artist
Photo: Roberto Marossi
Patricia L. Boyd
SL-1200MK2 Face, 2019 (Detail)
Used restaurant grease, wax, damar resin
31 x 22,3 cm
Courtesy the artist
Photo: Roberto Marossi
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Matteo Pomati
Micro fridge coffee, 2017
Enamel and acrilyc spray paint on wood and plaster
136 x 200 x 8 cm
Courtesy the artist
Photo: Roberto Marossi
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Lorenza Longhi
Untitled (Panoramic Vision II), 2019
Silk-screen on fabric mounted on wood panel, aluminium, screws
24 x 39,5 cm
Courtesy the artist and Fanta-MLN, Milan
Photo: Roberto Marossi
Installation view
Who knows what the ostrich sees in the sand, Fanta-MLN, Milan, I
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Patricia L. Boyd
SL-1200MK2 Insulator Feet (Secession, 06/29/18-09/02/18), 2018-2019
Used restaurant grease, wax, damar
resin, plywood, particle board
21 x 25 x 9 cm; 23,7 x 25 x 9 cm (Diptych)
Courtesy the artist
Photo: Roberto Marossi
Hanne Lippard
Vent, 2018 (Detail)
Vynil wall-text
Dimensions variable
Courtesy the artist and LambdaLambdaLambda, Prishtina
Photo: Roberto Marossi
Hanne Lippard
Vent, 2018 (Detail)
Vynil wall-text
Dimensions variable
Courtesy the artist and LambdaLambdaLambda, Prishtina
Photo: Roberto Marossi