Douze regards obliques
Stefano Faoro, Simon Lässig, Sam Pulitzer, Gili Tal
Stefano Faoro, Simon Lässig, Sam Pulitzer, Gili Tal
Installation view
Douze regards obliques, Fanta-MLN, Milan, I, 2020
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Installation view
Douze regards obliques, Fanta-MLN, Milan, I, 2020
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Sam Pulitzer
East River
The Premise of a Better Life, 2019
C-print, printed perspex
59,4 × 84,1 × 3 cm
Courtesy the artist and Francesca Pia, Zürich
Photo: Gunnar Meier
Installation view
Douze regards obliques, Fanta-MLN, Milan, I, 2020
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Installation view
Douze regards obliques, Fanta-MLN, Milan, I, 2020
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Stefano Faoro
Untitled (cabinet), 2020
digital print on PVC mounted on dbond
80 × 60 cm
Courtesy the artist
Photo: Roberto Marossi
Stefano Faoro
Untitled (canteen tables), 2020
digital print on PVC mounted on bond
80 × 60 cm
Courtesy the artist
Photo: Roberto Marossi
Stefano Faoro
Untitled (Mauro Roccia), 2020
digital print on PVC mounted on bond
80 × 60 cm
Courtesy the artist
Photo: Roberto Marossi
Installation view
Douze regards obliques, Fanta-MLN, Milan, I, 2020
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Installation view
Douze regards obliques, Fanta-MLN, Milan, I, 2020
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Gili Tal
The Eat List, 2020
Digital print on billboard (aluminium, blueback paper), concrete
220 × 500 × 30 cm
Courtesy the artist and Cabinet, London
Photo: Roberto Marossi
Installation view
Douze regards obliques, Fanta-MLN, Milan, I, 2020
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Stefano Faoro
Untitled (shelves), 2020
digital print on PVC mounted on bond
80 × 60 cm
Courtesy the artist
Photo: Roberto Marossi
Sam Pulitzer
Allen St
The Premise of a Better Life, 2019
C-print, printed perspex
59,4 × 84,1 cm
Courtesy the artist and Francesca Pia, Zürich
Photo: Gunnar Meier
Installation view
Douze regards obliques, Fanta-MLN, Milan, I, 2020
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Simon Lässig
Untitled, 2019
Folder, 40 plastic wallets with 78
printed pages, board
Board: 1,6 × 72 × 40 cm
Courtesy the artist and Felix Gaudlitz, Wien
Photo: Roberto Marossi
Simon Lässig
Untitled, 2019 (Detail)
Folder, 40 plastic wallets with 78
printed pages, board
Board: 1,6 × 72 × 40 cm
Courtesy the artist and Felix Gaudlitz, Wien
Photo: Roberto Marossi
Simon Lässig
Untitled, 2019 (Detail)
Folder, 40 plastic wallets with 78
printed pages, board
Board: 1,6 × 72 × 40 cm
Courtesy the artist and Felix Gaudlitz, Wien
Photo: Roberto Marossi
Simon Lässig
Untitled, 2019 (Detail)
Folder, 40 plastic wallets with 78
printed pages, board
Board: 1,6 × 72 × 40 cm
Courtesy the artist and Felix Gaudlitz, Wien
Photo: Roberto Marossi
Simon Lässig
Untitled, 2019 (Detail)
Folder, 40 plastic wallets with 78
printed pages, board
Board: 1,6 × 72 × 40 cm
Courtesy the artist and Felix Gaudlitz, Wien
Photo: Roberto Marossi
Sam Pulitzer
by the Exit
The Premise of a Better Life, 2019
C-print, printed perspex
59,4 × 84,1 cm
Courtesy the artist and Francesca Pia, Zürich
Photo: Gunnar Meier
Installation view
Douze regards obliques, Fanta-MLN, Milan, I, 2020
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Installation view
Douze regards obliques, Fanta-MLN, Milan, I, 2020
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Sam Pulitzer
New Dorp Ln
The Premise of a Better Life, 2019
C-print, printed perspex
59,4 × 84,1 cm
Courtesy the artist and Francesca Pia, Zürich
Photo: Gunnar Meier
Installation view
Douze regards obliques, Fanta-MLN, Milan, I, 2020
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Installation view
Douze regards obliques, Fanta-MLN, Milan, I, 2020
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Sam Pulitzer
East River
The Premise of a Better Life, 2019
C-print, printed perspex
59,4 × 84,1 × 3 cm
Courtesy the artist and Francesca Pia, Zürich
Photo: Gunnar Meier
Installation view
Douze regards obliques, Fanta-MLN, Milan, I, 2020
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Installation view
Douze regards obliques, Fanta-MLN, Milan, I, 2020
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Stefano Faoro
Untitled (cabinet), 2020
digital print on PVC mounted on dbond
80 × 60 cm
Courtesy the artist
Photo: Roberto Marossi
Stefano Faoro
Untitled (canteen tables), 2020
digital print on PVC mounted on bond
80 × 60 cm
Courtesy the artist
Photo: Roberto Marossi
Stefano Faoro
Untitled (Mauro Roccia), 2020
digital print on PVC mounted on bond
80 × 60 cm
Courtesy the artist
Photo: Roberto Marossi
Installation view
Douze regards obliques, Fanta-MLN, Milan, I, 2020
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Installation view
Douze regards obliques, Fanta-MLN, Milan, I, 2020
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Gili Tal
The Eat List, 2020
Digital print on billboard (aluminium, blueback paper), concrete
220 × 500 × 30 cm
Courtesy the artist and Cabinet, London
Photo: Roberto Marossi
Installation view
Douze regards obliques, Fanta-MLN, Milan, I, 2020
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Stefano Faoro
Untitled (shelves), 2020
digital print on PVC mounted on bond
80 × 60 cm
Courtesy the artist
Photo: Roberto Marossi
Sam Pulitzer
Allen St
The Premise of a Better Life, 2019
C-print, printed perspex
59,4 × 84,1 cm
Courtesy the artist and Francesca Pia, Zürich
Photo: Gunnar Meier
Installation view
Douze regards obliques, Fanta-MLN, Milan, I, 2020
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Simon Lässig
Untitled, 2019
Folder, 40 plastic wallets with 78
printed pages, board
Board: 1,6 × 72 × 40 cm
Courtesy the artist and Felix Gaudlitz, Wien
Photo: Roberto Marossi
Simon Lässig
Untitled, 2019 (Detail)
Folder, 40 plastic wallets with 78
printed pages, board
Board: 1,6 × 72 × 40 cm
Courtesy the artist and Felix Gaudlitz, Wien
Photo: Roberto Marossi
Simon Lässig
Untitled, 2019 (Detail)
Folder, 40 plastic wallets with 78
printed pages, board
Board: 1,6 × 72 × 40 cm
Courtesy the artist and Felix Gaudlitz, Wien
Photo: Roberto Marossi
Simon Lässig
Untitled, 2019 (Detail)
Folder, 40 plastic wallets with 78
printed pages, board
Board: 1,6 × 72 × 40 cm
Courtesy the artist and Felix Gaudlitz, Wien
Photo: Roberto Marossi
Simon Lässig
Untitled, 2019 (Detail)
Folder, 40 plastic wallets with 78
printed pages, board
Board: 1,6 × 72 × 40 cm
Courtesy the artist and Felix Gaudlitz, Wien
Photo: Roberto Marossi
Sam Pulitzer
by the Exit
The Premise of a Better Life, 2019
C-print, printed perspex
59,4 × 84,1 cm
Courtesy the artist and Francesca Pia, Zürich
Photo: Gunnar Meier
Installation view
Douze regards obliques, Fanta-MLN, Milan, I, 2020
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Installation view
Douze regards obliques, Fanta-MLN, Milan, I, 2020
Courtesy the artists and Fanta-MLN, Milan
Photo: Roberto Marossi
Sam Pulitzer
New Dorp Ln
The Premise of a Better Life, 2019
C-print, printed perspex
59,4 × 84,1 cm
Courtesy the artist and Francesca Pia, Zürich
Photo: Gunnar Meier