Douze regards obliques

Stefano Faoro, Simon Lässig, Sam Pulitzer, Gili Tal

  • Installation view
    Douze regards obliques, Fanta-MLN, Milan, I, 2020
    Courtesy the artists and Fanta-MLN, Milan
    Photo: Roberto Marossi

    1 of 24

  • Installation view
    Douze regards obliques, Fanta-MLN, Milan, I, 2020
    Courtesy the artists and Fanta-MLN, Milan
    Photo: Roberto Marossi

    2 of 24

  • Sam Pulitzer
    East River
    The Premise of a Better Life, 2019
    C-print, printed perspex
    59,4 × 84,1 × 3 cm
    Courtesy the artist and Francesca Pia, Zürich
    Photo: Gunnar Meier

    3 of 24

  • Installation view
    Douze regards obliques, Fanta-MLN, Milan, I, 2020
    Courtesy the artists and Fanta-MLN, Milan
    Photo: Roberto Marossi

    4 of 24

  • Installation view
    Douze regards obliques, Fanta-MLN, Milan, I, 2020
    Courtesy the artists and Fanta-MLN, Milan
    Photo: Roberto Marossi

    5 of 24

  • Stefano Faoro
    Untitled (cabinet), 2020
    digital print on PVC mounted on dbond
    80 × 60 cm
    Courtesy the artist
    Photo: Roberto Marossi

    6 of 24

  • Stefano Faoro
    Untitled (canteen tables), 2020
    digital print on PVC mounted on bond
    80 × 60 cm
    Courtesy the artist
    Photo: Roberto Marossi

    7 of 24

  • Stefano Faoro
    Untitled (Mauro Roccia), 2020
    digital print on PVC mounted on bond
    80 × 60 cm
    Courtesy the artist
    Photo: Roberto Marossi

    8 of 24

  • Installation view
    Douze regards obliques, Fanta-MLN, Milan, I, 2020
    Courtesy the artists and Fanta-MLN, Milan
    Photo: Roberto Marossi

    9 of 24

  • Installation view
    Douze regards obliques, Fanta-MLN, Milan, I, 2020
    Courtesy the artists and Fanta-MLN, Milan
    Photo: Roberto Marossi

    10 of 24

  • Gili Tal
    The Eat List, 2020
    Digital print on billboard (aluminium, blueback paper), concrete
    220 × 500 × 30 cm
    Courtesy the artist and Cabinet, London
    Photo: Roberto Marossi

    11 of 24

  • Installation view
    Douze regards obliques, Fanta-MLN, Milan, I, 2020
    Courtesy the artists and Fanta-MLN, Milan
    Photo: Roberto Marossi

    12 of 24

  • Stefano Faoro
    Untitled (shelves), 2020
    digital print on PVC mounted on bond
    80 × 60 cm
    Courtesy the artist
    Photo: Roberto Marossi

    13 of 24

  • Sam Pulitzer
    Allen St
    The Premise of a Better Life, 2019
    C-print, printed perspex
    59,4 × 84,1 cm
    Courtesy the artist and Francesca Pia, Zürich
    Photo: Gunnar Meier

    14 of 24

  • Installation view
    Douze regards obliques, Fanta-MLN, Milan, I, 2020
    Courtesy the artists and Fanta-MLN, Milan
    Photo: Roberto Marossi

    15 of 24

  • Simon Lässig
    Untitled, 2019
    Folder, 40 plastic wallets with 78
    printed pages, board
    Board: 1,6 × 72 × 40 cm
    Courtesy the artist and Felix Gaudlitz, Wien
    Photo: Roberto Marossi

    16 of 24

  • Simon Lässig
    Untitled, 2019 (Detail)
    Folder, 40 plastic wallets with 78
    printed pages, board
    Board: 1,6 × 72 × 40 cm
    Courtesy the artist and Felix Gaudlitz, Wien
    Photo: Roberto Marossi

    17 of 24

  • Simon Lässig
    Untitled, 2019 (Detail)
    Folder, 40 plastic wallets with 78
    printed pages, board
    Board: 1,6 × 72 × 40 cm
    Courtesy the artist and Felix Gaudlitz, Wien
    Photo: Roberto Marossi

    18 of 24

  • Simon Lässig
    Untitled, 2019 (Detail)
    Folder, 40 plastic wallets with 78
    printed pages, board
    Board: 1,6 × 72 × 40 cm
    Courtesy the artist and Felix Gaudlitz, Wien
    Photo: Roberto Marossi

    19 of 24

  • Simon Lässig
    Untitled, 2019 (Detail)
    Folder, 40 plastic wallets with 78
    printed pages, board
    Board: 1,6 × 72 × 40 cm
    Courtesy the artist and Felix Gaudlitz, Wien
    Photo: Roberto Marossi

    20 of 24

  • Sam Pulitzer
    by the Exit
    The Premise of a Better Life, 2019
    C-print, printed perspex
    59,4 × 84,1 cm
    Courtesy the artist and Francesca Pia, Zürich
    Photo: Gunnar Meier

    21 of 24

  • Installation view
    Douze regards obliques, Fanta-MLN, Milan, I, 2020
    Courtesy the artists and Fanta-MLN, Milan
    Photo: Roberto Marossi

    22 of 24

  • Installation view
    Douze regards obliques, Fanta-MLN, Milan, I, 2020
    Courtesy the artists and Fanta-MLN, Milan
    Photo: Roberto Marossi

    23 of 24

  • Sam Pulitzer
    New Dorp Ln
    The Premise of a Better Life, 2019
    C-print, printed perspex
    59,4 × 84,1 cm
    Courtesy the artist and Francesca Pia, Zürich
    Photo: Gunnar Meier

    24 of 24

  • Installation view
    Douze regards obliques, Fanta-MLN, Milan, I, 2020
    Courtesy the artists and Fanta-MLN, Milan
    Photo: Roberto Marossi

    1 of 24

  • Installation view
    Douze regards obliques, Fanta-MLN, Milan, I, 2020
    Courtesy the artists and Fanta-MLN, Milan
    Photo: Roberto Marossi

    2 of 24

  • Sam Pulitzer
    East River
    The Premise of a Better Life, 2019
    C-print, printed perspex
    59,4 × 84,1 × 3 cm
    Courtesy the artist and Francesca Pia, Zürich
    Photo: Gunnar Meier

    3 of 24

  • Installation view
    Douze regards obliques, Fanta-MLN, Milan, I, 2020
    Courtesy the artists and Fanta-MLN, Milan
    Photo: Roberto Marossi

    4 of 24

  • Installation view
    Douze regards obliques, Fanta-MLN, Milan, I, 2020
    Courtesy the artists and Fanta-MLN, Milan
    Photo: Roberto Marossi

    5 of 24

  • Stefano Faoro
    Untitled (cabinet), 2020
    digital print on PVC mounted on dbond
    80 × 60 cm
    Courtesy the artist
    Photo: Roberto Marossi

    6 of 24

  • Stefano Faoro
    Untitled (canteen tables), 2020
    digital print on PVC mounted on bond
    80 × 60 cm
    Courtesy the artist
    Photo: Roberto Marossi

    7 of 24

  • Stefano Faoro
    Untitled (Mauro Roccia), 2020
    digital print on PVC mounted on bond
    80 × 60 cm
    Courtesy the artist
    Photo: Roberto Marossi

    8 of 24

  • Installation view
    Douze regards obliques, Fanta-MLN, Milan, I, 2020
    Courtesy the artists and Fanta-MLN, Milan
    Photo: Roberto Marossi

    9 of 24

  • Installation view
    Douze regards obliques, Fanta-MLN, Milan, I, 2020
    Courtesy the artists and Fanta-MLN, Milan
    Photo: Roberto Marossi

    10 of 24

  • Gili Tal
    The Eat List, 2020
    Digital print on billboard (aluminium, blueback paper), concrete
    220 × 500 × 30 cm
    Courtesy the artist and Cabinet, London
    Photo: Roberto Marossi

    11 of 24

  • Installation view
    Douze regards obliques, Fanta-MLN, Milan, I, 2020
    Courtesy the artists and Fanta-MLN, Milan
    Photo: Roberto Marossi

    12 of 24

  • Stefano Faoro
    Untitled (shelves), 2020
    digital print on PVC mounted on bond
    80 × 60 cm
    Courtesy the artist
    Photo: Roberto Marossi

    13 of 24

  • Sam Pulitzer
    Allen St
    The Premise of a Better Life, 2019
    C-print, printed perspex
    59,4 × 84,1 cm
    Courtesy the artist and Francesca Pia, Zürich
    Photo: Gunnar Meier

    14 of 24

  • Installation view
    Douze regards obliques, Fanta-MLN, Milan, I, 2020
    Courtesy the artists and Fanta-MLN, Milan
    Photo: Roberto Marossi

    15 of 24

  • Simon Lässig
    Untitled, 2019
    Folder, 40 plastic wallets with 78
    printed pages, board
    Board: 1,6 × 72 × 40 cm
    Courtesy the artist and Felix Gaudlitz, Wien
    Photo: Roberto Marossi

    16 of 24

  • Simon Lässig
    Untitled, 2019 (Detail)
    Folder, 40 plastic wallets with 78
    printed pages, board
    Board: 1,6 × 72 × 40 cm
    Courtesy the artist and Felix Gaudlitz, Wien
    Photo: Roberto Marossi

    17 of 24

  • Simon Lässig
    Untitled, 2019 (Detail)
    Folder, 40 plastic wallets with 78
    printed pages, board
    Board: 1,6 × 72 × 40 cm
    Courtesy the artist and Felix Gaudlitz, Wien
    Photo: Roberto Marossi

    18 of 24

  • Simon Lässig
    Untitled, 2019 (Detail)
    Folder, 40 plastic wallets with 78
    printed pages, board
    Board: 1,6 × 72 × 40 cm
    Courtesy the artist and Felix Gaudlitz, Wien
    Photo: Roberto Marossi

    19 of 24

  • Simon Lässig
    Untitled, 2019 (Detail)
    Folder, 40 plastic wallets with 78
    printed pages, board
    Board: 1,6 × 72 × 40 cm
    Courtesy the artist and Felix Gaudlitz, Wien
    Photo: Roberto Marossi

    20 of 24

  • Sam Pulitzer
    by the Exit
    The Premise of a Better Life, 2019
    C-print, printed perspex
    59,4 × 84,1 cm
    Courtesy the artist and Francesca Pia, Zürich
    Photo: Gunnar Meier

    21 of 24

  • Installation view
    Douze regards obliques, Fanta-MLN, Milan, I, 2020
    Courtesy the artists and Fanta-MLN, Milan
    Photo: Roberto Marossi

    22 of 24

  • Installation view
    Douze regards obliques, Fanta-MLN, Milan, I, 2020
    Courtesy the artists and Fanta-MLN, Milan
    Photo: Roberto Marossi

    23 of 24

  • Sam Pulitzer
    New Dorp Ln
    The Premise of a Better Life, 2019
    C-print, printed perspex
    59,4 × 84,1 cm
    Courtesy the artist and Francesca Pia, Zürich
    Photo: Gunnar Meier

    24 of 24